Prices include travel, food and admission charges. All the sights are accessible using public transport. The most of your visit, here are ideas for four themed days out, followed by itineraries based on length of stay on pages 10–11. Although beautiful when seen from the water, this city is also a pleasure to explore on foot, particularly around Gamla Stan’s medieval lanes and the leafy island of Djurgårgen. GREAT DAYS IN STOCKHOLM In Stockholm you are never far from water, and the city’s 14 islands offer a beguiling mix of culture and nature. Stockholm Through the Year 28–31 Stockholm at a Glance Putting Stockholm on the Map 12–15 The History of Stockholm INTRODUCING STOCKHOLM Great Days in Stockholm Travellers’ Needs Where to Stay 156 Where to Eat and Drink 162 Entertainment in Stockholm 174 Outdoor Activities 180 Shopping in Stockholm 182Ī packet of traditional round Swedish crispbread The renovated Royal Chapel at the Royal Palace Getting to Stockholm 198 Getting Around Stockholm 200 Stockholm Street Finder 206 General Index 219 Acknowledgments 229 Stockholm Public Transport Map Inside Back Cover Three Guided Walks 136 Excursions from Stockholm 142 Late winter walk along the shores of Kungsholmen Stockholm Area by Area Gamla Stan 46 City 62 Blasieholmen & Skeppsholmen 76 Djurgården 86 Malmarna & Further Afield 102 Kaknästornet, Stockholm’s tallest building at 155 m (508 ft) Please write to: Publisher, DK Eyewitness Travel Guides, Dorling Kindersley, 80 Strand, London WC2R 0RL, Great Britain, or email: Ĭolourful houses in Gamla Stan, Stockholm
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We value the views and suggestions of our readers very highly. The publishers cannot accept responsibility for any consequences arising from the use of this book, nor for any material on third-party websites, and cannot guarantee that any website address in this book will be a suitable source of travel information. Some details, however, such as telephone numbers, opening hours, prices, gallery hanging arrangements and travel information, are liable to change. Every effort has been made to ensure that this book is as up to date as possible at the time of going to press. The information in this Dorling Kindersley Travel Guide is checked regularly. Front cover main image: Aerial view of Gamla Stan ISBN 978 0 24120 871 7 Floors are referred to throughout in accordance with European usage ie the “first floor” is the floor above ground level. The History of Stockholm 16 Stockholm Through the Year 28 A CIP Catalogue record is available from the British Library. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the copyright owner. Reprinted with revisions 2001, 2004, 2007, 2010, 2012, 2014, 2016 Copyright 2000, 2016 © Dorling Kindersley Ltd, London A Penguin Random House company All rights reserved. Wooden sculpture on the 17th-century warship Vasaįirst published in Great Britain in 2000 by Dorling Kindersley Ltd 80 Strand, London WC2R 0RL
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To conclude our programme, this sentiment is presented through four pieces about a life after death, the eternal light where loved ones are reunited in peace and happiness.Contents Produced by Streiffert Förlag AB, Stockholm Chief Editor Bo Streiffert Project Editor Guy Engström Editors Guy Engström, Monica Nilsson Designer Bo Streiffert Picture Research Guy Engström Dorling Kindersley Ltd Managing Editor Anna Streiffert Art Director Gillian Allan Main Contributor Kaj Sandell Contributors Lisa Carlsson, Jan & Christine Samuelson, Christina Sollenberg Britton, Stockholm Visitors Board Maps Stig Söderlind Photographers Erik Svensson, Jeppe Wikström Illustrations Urban Frank, assisted by Jan Rojmar English Translation Philip Ray Reproduced by PDC Tangen, Norway Printed and bound in Malaysia by Vivar Printing Sdn. In times of uncertainty and suffering, joy is displaced from the present into the future, where it becomes the object of intense longing. These relationships are encapsulated in the long Amen with each part vying for the final notes. Streams of suspensions tie the accompaniment together under the rolling melody interlacing with counter melodies in the alto and tenor parts. This harmonic warmth is echoed by Thorvaldsdottir but in her own unique language. One of Nystedt’s most famous choral works, O Crux weaves through the text with cinematic breadth, stretching the choir to the edges its upper and lower registers.
Knut nystedt o crux synopsis full#
After Nystedt’s tense opening, the text ‘O Crux’ is repeated in a texture similar to the ‘Joy’ setting in A Child’s Prayer, full bodied and raw. O Crux and Þann heilaga kross also both begin with dissonant clusters before blooming into stunning palettes of harmonic colour. In both Nystedt and Thorvaldsdottir’s reflections of the crucifixion we are invited to congregate through song.